And nothing she needs”: Victoria's Secret and the Gaze of “Post

A study of the Victoria’s Secret catalogues, which frames the period 1996-2006, reveals that the models’ poses and postures manipulate the formulaic gaze of objectification with seemingly empowering themes. Instead of the indeterminate, averted looks that Berger (1972) and Mulvey (1989) considered in their analyses, the more recent versions of Victoria’s Secret photographs confront viewers with pouts, glares, and stares of defiance. In this essay, I contribute to current conversations regarding mixed messages that concern post-feminism and third-wave feminism (Duffy, Hancock, & Tyler, 2017; Glapka, 2017; McAllister & DeCarvalho, 2014; McRobbie, 2009). In this regard, the Victoria’s Secret catalogues constitute an important artifact of the turn of the 21st century decade, one which saw the rise of so-called “raunch culture” and increasing depictions of hyperfemininity and hypersexuality in popular and celebrity culture (Donnelly & Twenge, 2017; Renninger, 2018; Scott, 2006, 2010; Zaslow, 2018).

Picturing The Woman-Child Fashion, Feminism and The Female Gaze Morna Laing

DOC) Miranda Kerr From Wikipedia, the free encyclopedia

Victorias Secret Does It Again Cultural PDF, PDF, Victoria's Secret

2.portrayal of Beauty - Fashion Theory, PDF, Cosmetics

Victorias Secret Does It Again Cultural PDF, PDF, Victoria's Secret

And Nothing She Needs: Victoria's Secret and The Gaze of Post-Feminism, PDF, Feminism

And Nothing She Needs: Victoria's Secret and The Gaze of Post-Feminism, PDF, Feminism

And nothing she needs”: Victoria's Secret and the Gaze of “Post-Feminism”

Victorias Secret Does It Again Cultural PDF, PDF, Victoria's Secret

PDF) Analysing the effects of Femvertising campaigns within the lingerie industry on female consumers

Victorias Secret Does It Again Cultural PDF, PDF, Victoria's Secret

Marc A. Ouellette - Associate Professor - Old Dominion University

Picturing The Woman-Child Fashion, Feminism and The Female Gaze Morna Laing